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fjt_929332 - LYONNAIS - CONSULAT DE LYON Barthélemy Dareste 1692

LYONNAIS - CONSULAT DE LYON Barthélemy Dareste XF
75.00 €约 568.50 CNY
数量
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种类 Barthélemy Dareste
日期: 1692
材质 copper
直径 29,5 mm
模子方针 6 h.
重量 7,80 g.
侧面 lisse
稀少度 R1
出版目录中的项代码 :

正面


正面的文字 * BARTHELEMY. DARESTE. ESCHEVIN. DE. LA. VILLE. DE. LYON.
正面的说明书 Écu ovale aux armes de Barthélemy Dareste placé sur un cartouche entre deux palmes, timbré d’un casque taré de face, orné de lambrequins et ayant pour cimier trois plumes d’autruche.

背面


背面的文字 * FIDES. OBSEQVENS *.
背面的说明书 La Fidélité (la Ville de Lyon) debout à gauche, tenant une corne d’abondance renversée, et à ses pieds un lion couché, devant la France assise à gauche sur un trône ; à l'exergue : .1692..
背面的翻译 (La Fidélité l'accompagne).

评论


Les armes de Barthélemy Dareste portent d’azur à un chevron d’or accompagné en pointe d’un phénix sur son bûcher regardant le soleil mouvant du franc canton le tout d’or.

历史细节


LYONNAIS - CONSULATE OF LYON

The series of consular tokens of the city of Lyon dates back to 1624, when for the first time, tokens were distributed as a present of honor to members, officers and characters whose merits the Consulate had to reward.. The first distributions are intermittent and they do not become regular until 1652 when the rule of distribution of silver tokens at the end of the two years of each provost seems to have been adopted.. Honorary testimony more than a remuneration, these tokens were for the consuls (also called aldermen) a souvenir of their office and the opportunity to represent their coat of arms. On the other hand, for the secondary characters, the tokens served as a bonus and they often preferred to be paid in cash.. For great characters like the steward or the archbishops, the tokens were accumulated and enriched the family silverware. The number of scholarship recipients, fixed at nine in 1652, continues to increase and from 900 tokens, the distributions reach 4. 400 tokens in 1745. The copper tokens intended for the employees of the Consulate are minted in an uncertain number. The engraving of these tokens is most of the time the work of the engraver of the Monnaie de Lyon, for example Clair I Jacquemin or Aimé Jacquemin, while their manufacture is entrusted to the Monnaie des Médailles which has the exclusive privilege of minting from from 1672. Many studies relate to the series of consular tokens, the most recent and best documented is that of Jean Tricou, Les tokens consulaires de Lyon, Paris, Bourgey, 1955.

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