正面
正面的文字 LUD. XV. REX. CHRISTIANISS..
正面的说明书 Buste drapé à droite de Louis XV, signé B. DUVIV., gravé n°352.
背面
背面的文字 AMICÆ QUAMVIS ÆMULÆ ; À L’EXERGUE : ACAD. ROYALE DE PEINT. ET DE SCULPT 1764..
背面的说明书 La peinture et la sculpture se tenant la main.
背面的翻译 A la fois amis et émules.
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历史细节
FRENCH ROYAL ACADEMY OF PAINTING AND SCULPTURE
The Royal Academy of Painting and Sculpture, responsible for training future painters and sculptors, was established in 1648 on the initiative of a group of artists, including Philippe de Champaigne, Sébastien Bourdon, Charles Le Brun, or again Juste d'Egmont, supported by Mazarin himself, in order to counteract the influence of the guilds of Saint-Luc, and to formalize the distinction between the noble arts and the so-called "mechanical" arts. By favoring artists in this way, the Académie, established in the Louvre in 1656, immediately subscribed to the prestige policy of the monarchy and to the idea of the Grand Siècle, to which it provided numerous references. Its motto is "Libertas artibus restituta". Some famous names have written the greatness of the Academy: Jacques Firmin, Beauvarlet, Philippe de Champaigne, Jacques-Louis David, Nicolas de Largillière, Charles Le Brun, Jean-Baptiste Pigalle, Hyacinthe Rigaud, Élisabeth Vigée Le Brun, Dominique Vivant Denon , etc. Recommended reading: VITET L., "The Royal Academy of Painting and Sculpture", Paris, 1861.